concrete music

I’ve got The Fear again, that mid-Sunday dread of what’s next. There’s a cold weekend wind whipping down the street, in one ear and out the other. A black cat yawns and stretches across the street as it follows its people around, oblivious to the pigeons bobbing around next-door’s front yard. It’s all so quiet, and despite being a fairly silent type of person I’m nevertheless comforted by a reasonable background of sound. »

pay-per-view

It’s before 5pm, but the light’s starting to fade already as we hit one last winery so my friends can get some champagne. You can drink this kind of view. »

six of one, half a dozen of the other

In the six years since I last came here, the captains of industry have swung by with a bit of architecture. Yering Station is no longer just a winery, it’s sprouted a euro-hopeful performance area with associated wine bar, all glass and stone and wood. A “historic barn” sits amongst concrete pathways and young trees but I think it’s just for show, there’s no sign you could go in. After all, what would we look at? »

what we talk about when we’re waiting for food

The large group table near the window takes the banquet option. Snippets of conversation drift over my way – the “I was so drunk” anecdotes give way to “I’m allergic to this and one time, well, I nearly died” stories. »